Theory
Deep study of Raags: Yaman, Bhairav, Bageshree, Malkauns, Bhimpalasi
Comparative study of Taals – Jhaptal, Ektal, Tilwada, Chautal
Contributions of Bhatkhande and Paluskar in preserving and systematizing Hindustani music
Understanding of Gayaki Ang (vocal styles) – Khayal, Dhrupad, Thumri, Tappa
Role of Music Therapy and its effects on human emotions
Practical
Singing of five Raags with detailed Aalap, Bandish, Taan, and improvisation
Performance of one Thumri or Dadra
Advanced Taal practice with Tabla accompaniment and Layakari (rhythmic variations)
Stage performance or Viva Voce on any one Raag